$20 Trade Me Bundle

I’ve spoken before about the serendipitous nature of record collecting. Along the way, there are all sorts of ‘happy accidents’ and coincidences in the way in which new records come into your possession. I’ve actually not had any poor experiences in buying records in ages until a couple of weeks ago, when I bought a bundle for $20 off of Trade Me.

The bundle of records was listed as being in ‘okay’ condition, based on their vintage. In short, they are in terrible condition; many have lost their inner sleeves and as such are pretty scuffed.

There was a couple of items in the bundle that led to me buying it that I’ve had to give some TLC, taping up sleeves, washing vinyl and replacing inner sleeves. Ultimately, they will probably end up getting replaced, but having a crackly copy will at least mean that I can get to know the LP in the interim.

Janis Joplin/Full Tilt Boogie ‘Pearl’ CBS LP

This is one of the items that led to me bidding on the bundle and it’s in disappointing condition overall. ‘Pearl’ is Janis’ last LP and was released posthumously. There are a couple of her classics on here, ‘Me & Bobby McGhee’ and ‘Mercedes Benz’ I know already.

Little Feat ‘Feats Don’t Fail Me Know’ Warner Brothers LP

Really bad condition cover that’s totally frayed around the open end, requiring resealing with tape. It’s clearly been stored in a pile with the vinyl facing outward. I’ve not really got into Little Feat, but had a video of them playing a track on The Old Grey Whistle Test (http://en.wikipedia.org/wiki/The_Old_Grey_Whistle_Test) as a teenager, which I really liked. I love those big, multi-cultural 70’s boogie bands with a conga player. The thanks list includes Van Dyke Parks (whom wrote lyrics for ‘Smile’ by The Beach Boys) and there’s backing vocals by Emmylou Harris and Bonnie Raitt as well. I was really looking forward to this one.

Johnny Cash ‘By Special Request’ Universal Summit Records LP               

Australian reissue of lots of Johnny Cash’s original Sun rockabilly platters, including ‘Folsom City Blues’, ‘Rock Island Line’ and ‘I Walk The Line’.

Joan Baez ‘Joan Baez’ Vanguard LP
‘Accompanying herself on the guitar with Fred Hellerman, second guitar’.  In terrible, mildew addled condition, but I think is her debut album.  The only one on here that I recognise is, ‘House Of The Rising Sun’ but there appears to be a load of traditional folk songs. Evidently, she’d not yet met young Robert Zimmerman as yet.

Stevie Wonder ‘Songs In The Key Of Life’ Motown Double LP

As mentioned elsewhere on this blog, I absolutely love purple era (http://en.wikipedia.org/wiki/Stevie_Wonder#Classic_period:_1972.E2.80.931976) Stevie Wonder, though, despite buying copies of this for other people, (not least an absolutely mint copy with the limited edition 7” EP for my sisters 30^th birthday. I wrongly thought that it came out in the month that she was born. ) This is actually in alright nick, but smells of damp.

Stevie Wonder ‘Stevie Wonder’s Original Musiquarium I’ Motown Double LP
Collection of all the singles off of Stevie’s 70’s catalogue, including bits of ‘Talking Book’, ‘Innervisions’, ‘Songs In The Key Of Life’ and ‘Hotter Than July’ (which we own all of) as well as,  ‘Music Of My Mind’, ‘Fulfillingness First Finale’, and ‘The Secret Life Of Plants’ (which we don’t).

Bob Seger & The Silver Bullet Band ‘Stranger In Town’ EMI LP
There was actually a couple of extra LP’s in the bundle which went straight in the ‘For Sale’ box (Suzi Quattro and Tom Jones) and this may well have followed them. It was however saved by Mr. Seger’s rather wonderful hair on the cover. Apparently, this is one of Rolling Stone Magasine’s “500 LP’s To Listen To Before You Die”. I couldn’t tell you a single Bob Seger track, but I’ll get round to listening to it someday.

V/A “Motown Gold:  Motown’s Greatest Hits’  Motown/EMI LP
My Mum’s 1960’s ‘Motown Chartbusters’ LP’s were largely my route into soul music. (Many years later, when rifling through a box of my soul 7”’s, she stated that, “these should be in my collection!”). This though appears to be seventies, with Stevie Wonder’s ‘Living For The City’ and ‘Superstition’ on here, as well as some classic 60’s Motown, like The Supremes’ ‘Where Did Our Love Go’ and, ‘Tears Of A Clown’ by Smokie Robinson & The Miracles. If I'm honest, I've got no reason to keep this, owning most of these tunes already on various other releases.

Rufus Feat. Chaka Khan ‘Rags To Rufus’ ABC LP

The cover of this was in such disgusting condition (I think that the people I bought these off were older stoners. The cover looked like it had been roached. It was also affected by damp), that I put it in the fire. That’s a first. The pictured cover (with the black labelled LP) is actually one I picked up in New Plymouth a couple of weeks ago. I’ve put the yellow labelled vinyl in a plastic dustcover and will keep it with the better condition one that I had already. Who knows, maybe it’ll have some juggling (http://en.wikipedia.org/wiki/Beat_juggling) opportunities?

Disco

A while back, a seller I know asked me if there is any Soul Jazz/Strut comps that I'm looking for, so that he could check his collection for any doubles/spares.

I replied by sending my not unsubstantial Discogs wantlist back to him and then promptly heard nothing for a good six months.

I was therefore very surprised when out of the blue I received an emailing offering me Nicky Siano and Larry Levan compilations on Strut.

If you’d told the self-righteously “indie” teenaged me that in fifteen years time, I’d get hot under the collar about career retrospective compilation LP’s for New York Disco DJ’s from the 1970’s, I would definitely not have believed you.

Larry Levan was the resident DJ (and designed the sound system for) The Paradise Garage, a members -gay club in New York, for ten years between 1977 and 1987. Few DJ’s (and later a fine Producer) have as much mystique around them as Levan’s legendary sets, known as ‘Saturday Mass’ by fans (including Francois Kevorkian, whom I’m similarly in awe of). Levan wasn’t strictly a disco DJ, playing long meandering sets, taking in soul, new wave and electronic music and creating (with his best friend Frankie Knuckles) a precursor to House music. (In fact, the more complex beat patterns of what became known as ‘Garage’, is named after The Paradise Garage).

Larry Levan‎ ‘Live At The Paradise Garage’ Strut 3 x LP

I’ve wanted this for ages and got it for $25.00 as its cover isn’t in “collector” condition. I’ve been buying disco for a while, intending to learn how to mix it (including buying a lollipop headphone a la Larry Levan, pictured above in the booth at the Paradise Garage) but basically being too scared to do so. Ultimately though, despite not having decks set up currently (it’s been too cold in my spare room, so I’ve got a single turntable in the living room), I think I’ve cracked it conceptually (largely assisted by my first ever BPM mixer): stick between 116 and 124 BPM – quick cuts are likely the best idea. I’m really looking forward about getting at these when I’ve got my storage (and deck stand) sorted out. I’ve got a more modern re-edit of Crown Heights Affair’s ‘Dreaming A Dream’ by Iain Dewhirst (rumoured – it’s of dubious legality) which I’m looking forward to having a bit of a cut up with. The LP’s really strong, beautifully packaged and I’m totally gutted that I managed to score the cover with a paper knife opening the mailer. I won’t be selling it any time soon though.

Nicky Siano's Legendary 'The Gallery' - The Original New York Disco 1973 – 1977 Soul Jazz 3 x LP

Earlier in the chronology of disco/dance music DJ culture but certainly one of the few DJ’s/Clubs that are as legendary (possibly in trirumvate with David Mancuso at The Loft) would be Nicky Siano. I haven’t listened to this yet, but will be getting in deep over the weekend. It’s mint and certainly worth $30 (especially considering the only copy I've ever found of a 4 x LP set of tunes from The Loft, curated by David Mancuso on the late lamented Nuphonic label, is currently going on Discogs for $149 US – albeit in unopened condition).

Al Kent ‘The Best Of Disco Demands’ Part 1 (with wrong cover – for Part 2) BBE 2 x LP

Al Kent’s ‘Disco Demands’ mixes are the stuff of legend featuring his re-edits for a modern dance floor of all sorts of undiscovered disco gems. This set has got a noticeably more electronic edge but has certainly led me to want to go back and have a look at the other mixes. Al Kent’s certainly considered to be up there in current UK disco DJ terms along with Horse Meat Disco and (the more electro-funk orientated) Greg Wilson. This was $20 and is unplayed. Unfortunately, the previous owner ordered both Parts 1 & 2 and initially received two copies of Part 1, with one in the wrong sleeve. I’ve covered up the lady of the covers ample breasts (which are uncovered on all volumes of the collection) lest I incur the wrath of Blogger security.

Masters At Work Present ‘Stop & Listen Volume 5’ BBE 4 x LP

Why this has got a fat Policeman on the cover, I don’t know, but one pair of modern day house/garage artists that wear their disco hearts on their sleeves has always been the mackdaddies themselves, MAW aka Kenny Dope & Little Louie Vega.

There’s lots here, including hip-hop picks from Kenny Dope and a showing from Joe Claussell, who’s Joe Claussell‎ – Joe Claussell - Music... A Reason To Celebrate (Part One) BBE 3 x LP, was one of the first disco orientated compilations I ever bought. Sadly, my 3 x LP set of that release is now a 2 x LP set, because one slate (the one with ‘Oba La Vem Ela’ by Jorge Ben) happened to be on the platter when my turntables were stolen from my old flat in Bristol. You come and check round my house now: no turntable is ever left with a record on it. Your turntables are replaceable; they’re just a machine – but vinyl can be basically irreplaceable.

The Pharcyde ‘Passin’ Me By’ Delicious Vinyl 12” Single

Yes, I know. It’s been a very Pharcyde intensive couple of months, but when this came up on Discogs, I literally couldn’t stop myself. Originally released in 1993 as a single and part of the Pharcyde’s self-titled debut album, ‘Passin’ Me By’ is a great slice of infectiously catchy hip-hop soul. I’d love to say that I was a fan back in the day, but I only grew to recognise and love this tune much later. (I was a big fan of the subsequent ‘Labcabincalifornia’ LP and it’s ‘Runnin’’ and ‘Drop’ singles though).

The release here is the UK version, with the single/video edit (a single exclamation of “n*gger” is muted out) as well as the ‘Brixton Remix’, which is a bit of a beast.

Also in the collection and erring on the beastly side is the slightly more legally dubious version that I have on 12” collection of J*Star remixes. Slightly embarrassingly, I was so obsessed with the ‘No Diggity’ remix on the A-Side (it was a MASSIVE tune in Bristol in the mid-noughties) that despite having owned this for about six or seven years (admittedly with three years in storage) I didn’t even listen to it until this year. It’s hip-hop/reggae mash-up genius though, with The Pharcyde’s acappella being mixed over ‘I’m Still In Love With You, Boy’.

Vinyl Countdown

Vinyl Countdown, 109 Devon Street West, New Plymouth

Another example of the travel required from my, “moderately successful sensible office job” ™ was a trip to New Plymouth last week for an industry conference.

New Plymouth is right over on the far West Coast of the North Island and as such a tad isolated. The only reason I’ve ever considered going there before was to attend the Southern Hemisphere’s version of the UK’s Womad Festival back four years ago when I first arrived in New Zealand.

I elected on that occasion not to go on realising that the intentions of the girl I’d been invited by were not entirely honourable. (I was going through a ‘no complications’ phase and trying my best to enjoy being single, effectively vegan and exercising to a (with hindsight) potentially fanatical level. All of which to an outsider, I’m sure will likely sound like someone undergoing some sort of existential Saturn’s return crisis and a moribund sense of low self-esteem. Both of which I was).

Anyway, after an aeroplane landing featuring some of New Plymouth’s legendary coastal cross-winds and turbulence (haven’t had to hold onto the seat in front during landing for a while) I had a few hours to kill before we could check into our Motor Lodge (strictly the best for this businessman) so went for a wonder through central NP in search of local record emporium Vinyl Countdown.

So, what to say about the store? In short: Damn fine record shop.

The Electric Chair Presents ‘Electric Soul 2’ Electric Chair/PIAS Records 2 x LP.
On my first visit, I had a non-muso colleague in tow (whom did his best to look interested in shuffling through their sale CD’s section) so very quickly rifled through their soul selection, coming up trumps with a second hand copy of the Unabombers curated “Electric Soul 2” 2 x LP set (the first instalment of which I picked up a couple of months back – discussed at http://vinylology.blogspot.co.nz/2012/07/discogs-purge.html) for $20.00. The set was sold as ‘second hand’, which is arguable. The cover’s absolutely mint, and the vinyl is unmarked (even un-fingerprinted) and still has paper burrs from new sleeves. If it is second hand, it’s never been played.

I noted with interest that the shop operates a second hand pricing/labelling policy which is the same as the late lamented Real Groovy (and as such RPM in Wellington, which was opened with ex- Real Groovy Christchurch stock, salvaged after the earthquake) used to have.

I quickly finished up at Vinyl Countdown, both because of my companion and the fact that I’ve already had a bit of a splurge this week on disco (to be discussed in its own post shortly).

The conference petered out earlier than expected on Friday afternoon and I took the opportunity to go back (this time flying solo) to have a more extensive dig. (Whilst simultaneously attempting to show some sort of self-restraint based on my planned monthly vinyl budget having been reached/breached).

Jay Dilla ‘Jaydeelicious – The Delicious Vinyl Years 95-98’ Delicious Vinyl 3 x LP.
On secondary dig, I found a new “Ltd.” (I’m increasingly dubious of such claims) Edition 3 x coloured vinyl retrospective of Jay Dilla (then called Jay Dee)’s production/remix work on the Delicious Vinyl label. As previously (sort of) mentioned on this blog, The Pharcyde’s sophomore LP, ‘Labcabincalifornia’ was and remains a very important record for me, though I don’t as yet own it on vinyl (it has been reissued as part of the same 15^th anniversary celebrations that saw The Pharcyde on world tour recently though, see http://vinylology.blogspot.co.nz/2012/08/the-pharcyde.html). As such this set affords me my first vinyl versions of ‘Runnin’’, ‘Drop’ and ‘Bullshit’, here in both vocalled and instrumental versions. (I’m also ecstatic to say – on different plates – meaning, I can cut the instrumental and vocal versions together to extend certain passages).

‘Jadydeelicious’ was however the only new record that I bought as I’d actually intended to return to the store to have a good old fashioned (low-cost) dig in the sale crates.

As mentioned, the store operates on the same ethos/labelling pricing policy as the defunct Christchurch/Wellington and still active Auckland Real Groovy stores, with good quality, clean-covered second hand records going into a plastic sleeve and getting priced, with everything slightly less well cared for being labelled as ‘A’, ‘B’, ‘C’, ‘D’ grade etc. and democratically getting a $1, $2, $3 etc. price to suit.  

On returning to the store, I quickly realised why that system is in place, recognising the store manager from Real Groovy in Wellington. I later learned from him that when Real Groovy in Wellington went to the wall, they loaded the unsold stock into a lorry and drove it up to New Plymouth to start afresh.

Unsurprisingly for a record shop in a regional town, the stock is more Rock/Bogan than you’d expect for an urban area but I managed to find some pretty interesting morsels for a few dollars a pop. (There was a shedload of amazing punk stuff behind the counter, including the “Henrietta Rollins & The Wifebeating Childhaters” LP, which I’d love to have been able to justify $60 for….)

(N.B.  I also bought some 1980’s pop music for my home bound and flu-ridden girlfriend, both out of a sense of nostalgia and duty, which I won’t mention here. Suffice to say; we now have the original version of “Smalltown Boy” by Bronski Beat, as well as the six minute contemporary remix version that we had before and I bought an LP by a northern soul singer (N.B. not a Northern Soul singer) who as a kid lived over the road from a pair of indie dance legends (brothers), which is largely produced by Coldcut).

Choice picks included:

The Temptations ‘A Song For You’ Tamla Motown LP. It’s from 1975 and not produced Norman Whitfield for a change. It’s still pretty funky and was reduced to $4.00.

Rufus feat. Chaka Khan ‘Rags To Rufus’ ABC Records LP and Rufus feat. Chaka Khan ‘Ask Rufus’ ABC LP. The former is from 1974, and was in the non-priced section, the latter was reduced to $4.00. Great poppy disco/soul on both counts. What a day it must be when your ‘Feat. Artist’ turns the tables and gets top billing (As per my 12" Copy of 'Ain't Nobody, which is billed as Chaka Khan feat. Rufus).

B-52’s ‘Messopotamia’ Warner Brothers LP. It’s the B-52’s, whom (despite effectively soiling on their credibility in the mid-nineties by recording The Flintstones soundtrack) I love.

Produced by David Byrne in Blank Studios (http://www.blankproductions.com/bblank.asp) which saw the recording of many new wave/no wave NYC artists whom make me go all weak at the knees. It effectively couldn’t possibly be shit. Disco sucks killed the pop perception of disco far too late for it to have not actually entered the popular psychy of music production (also see David Bowie’s collaborations with Nile Rodgers, whom then much later went on to produce the B-52’s ‘Cosmic Thing’ LP). So, basically – (I have made a conscious decision not to ever swear on this blog;) fuck you Steve Dahl, you utter, utter scumbag. I seem to remember from a book I read recently that Larry Levan used to play the title track off of this at the Paradise Garage.

Jim Croce ‘You Don’t Mess Around With Jim’ LP. This was in the sh*t bins, despite being absolutely mint (both vinyl/cover wise). I don’t know why I recognised his name, but it’s great quality, early 70’s folky singer/songwriter material. I’ve learned that Jim Croce died soon after this was released, so his profile was sadly never elevated to that of his peers.

Deodato ‘Prelude’ CTI Records LP and Deodato ‘Whirlwinds’ MCA LP.

1972 and 1974 releases respectively and both a lot better than the late seventies LP I picked up at Evil Genius a few weeks ago. My girlfriend thinks that the opening track off ‘Prelude’ a discofied version of the Jupiter suite from Holst’s Planets, titled here as ‘Also Sprach Zarathustra (2001)’ is on an old Talkin’ Loud mix.

Various ‘Easy Rider OST’ EMI/Stateside LP.

This is a record that I grew up with. I used to play my Fathers version all the time. Key tracks on here include, ‘The Pusher’ by Steppenwolf and ‘If Six Was Nine’ by Jimi Hendrix. Totally worth the $5.00 I paid for it.

Sonny Okosuni’s Ozzidi ‘Live In Varadero’ HMV LP.

Afrobeat for $1.00? Count me in.

Conch Records

115A Ponsonby Road, Auckland, New Zealand.

Despite my obvious desire to stay home with the record collection I haven’t seen for four years, my day job required that I went up to Auckland for a conference over the weekend.

I worked from my companies Auckland office on Friday and was tipped off about a ‘new’ record shop about 500m down the road.

As it turns out, Conch Records (115A Ponsonby Road, Auckland, New Zealand) has actually been in business for 12 years in total and six in its current location.

All I can say is, ‘Dagnammit!’ that I didn’t find out about it before.

Conch seems to have no discernible overall record selling ethos other than ‘eclectic’. (In that respect (and the little café at the front) it reminds me a lot of the late-lamented Jittering Records in Moseley, Birmingham – one of my favourite ever record shops). 

It’s a mix of new and second hand soul, afrobeat, hip-hop and downtempo. (Which largely matches my tastes).

I’ve kinda cleared myself out this pay cycle with comedy and gig tickets, so had to behave myself – but came away with a few gems (including- but not limited to - the following) for $40 all up.

Herbie Hancock ‘Rockit’ CBS 12” Single

I missed out bidding on a 7” copy of this online a few weeks ago because we were going to the market. I think it went for $5.50. I paid $5 all up for the 12” with the single edit on one side and the album version on the B-Side. This deserved to be in my collection. Made todays digging worthwhile before I found anything else. (Sadly, a 1980’s US major label pressing, so slightly thicker than a flexidisk off of a magazine cover, but only just…)

Rodney P ‘Riddim Killa/A Love Song (Feat. Julie Dexter)’ Low Life Records 12” Single

The 2^nd hand hip-hop section wasn’t that great (NZ hip-hop is awful, relying on hackneyed west coast clichés and the second hand bins largely consist of major label US drivel) but this was $5. It’s Rodney P, who’s one of my favourite MC’s both lyrically and tonally. I love UK hip-hop – Mark B’s comment that “UK hip-hop has as much to owe to reggae as it does to US hip-hop” is never clearer than when you hear Rodney P.

Boca 45 feat. Tammy Payne ‘Take A Ride’ Grand Central 12” Single

I remember the name “Boca 45” but bought this without listening to it based on the fact that a) it was $2.00 and b) it’s on Grand Central Records (Rae & Christian’s label and home of ‘Northern Sulfuric Soul’, one of my top 10 favourite LP’s ever).

Busta Rhymes ‘Tear The Roof Off’ WEA 12” TP

I’ve got literally hundreds of white labels but this is actually the first that I’ve seen with a TP label on it. It’s the “clean” version on the A-Side (which is what I imagine Brits know as a ‘Radio Mix). On the B-Side it’s the album version. It’s Busta Rhymes, it was in the $1.00 shit bin, so it’s worth a go, right?

Taken from ‘Music For Dancefloors: The Cream Of The Chappell Music Library’ Strut 12” EP Sampler

Strut is one of the most consistent and amazing re-release labels and the catalogue number makes me think that this is an early, pre-K7 buyout promo. Whatever though, it’s on Strut. It’s gonna be quality.

Stevie Wonder ‘Living For The City/Visions’ Tamla 7” Single

I found out early this week that the reason that my original (1973) ‘Yester-Me, Yester-You, Yester-Day’ 7” was slightly familiar is that I already had a mint un-played 200? Reissue. I ‘ve been a big fan of “purple-period” 1970’s Stevie Wonder for ages. I recently listened to a Motown Stevie Wonder compilation LP that I bought in a batch of soul records and realised (with some surprise) that his 60’s singles are actually just as good. This is seventies anyway. It’s in a generic cover but really clean.

The Quantic Soul Orchestra ‘Super 8 (Part 1)/Super 8 (Part 2)’ Tru Thoughts 7” Single

Amongst the other lists of super-hot 45’s that I’m building is a great funk/block party set. This is gonna be in it.

Quantic feat. Alice Russell ‘The Sound Of Everything (Watch TV & Senorlobo reprise)’ Marulasoulfood  7” (Plays the same both sides)

It’s a bit more sedate, but I assume that it’s the same Quantic as above. Reminds me a bit of ‘Soul Vibration’ by J-Walk. No bad thing.