Beastwars ‘Tower of Skulls’
Release Tour
San Francisco Bath House, Cuba
Street, Wellington, NZ
Friday 23 November 2012
Support for local heroes (and
2012 Taite Music Prize Finalists) Beastwars, came from Arc of Ascent and Von Thundersvolt – both
of whom were sadly forgettable. (They have however convinced me to not make
efforts to start my own stoner rock band, which Beastwars advancing years had
inspired me to do, so a sensible purpose was served).
The ‘wars
(as I expect no one calls them) were involved on a brief, four date mini-tour
to promote their new single, ‘Tower Of Skulls bw/ The Sleeper’.
In the
relatively short space of time since I first saw Beastwars opening for Fu
Manchu (I also attended a gig where they opened for Kyuss in Wellington, though
I arrived as they played their last note and similarly arrived too late to see
them play at a Melvins/High On Fire) I have managed to acquire two rather
fantastic Beastwars T-Shirts (one of which glows in the dark) and what I
understand to be the sum and whole of their (albeit small) vinyl output.
Any
speculation that I might have had whether my fanboy antics might be some sort
of local team supporting instinct were pretty much blown out of the water, when
Beastwars came on stage on Friday and were frankly, well, awesome.
The
hometown gig confirmed my feelings that not only are Beastwars a great New
Zealand band, but that they’d be a great band anywhere.
I’ve read
somewhere the original blueprint for the band came from a conversation between
their guitarist and drummer, whereby the speculated on whether a band with the
riffs of Kyuss and the anthemic chorus’ of The Cult would work.
In short,
it does, (though there’s a fairly large dose of Soundgarden in their sound as
well).
Downtuned,
sub-Sabbath guitars, (the band’s motto is, “obey the riff”), with Tool-esque
time and key changes are the norm with vocalist Matt Hyde’s individual vocals
varying from a worried whimper to all out bellowing, with the range
particularly evident on (my favourite Beastwars track), ‘Mihi’.
(Mihi
being a maori word that describes the formal speaking structure used during powhiri, or formal meeting).
The LP’s
opener ‘Damn The Sky’, which came later in their set, is probably the bands
catchiest song and was a clear audience favourite at the gig (complete with
some Lee Renaldo style atonal guitar jangling that doesn’t appear on the
recorded version).
The
mini-tour was in support of the bands new single, ‘Tower of Skulls’ and I
picked up a limited edition (171/200) glow in the dark vinyl 7” version. Both tracks
add a Goth element to Beastwars stoner sound, and particularly the B-side ‘Sleeper’, was
another corker live.
During a
recent TV interview, Hyde commented that should the band win the Taite prize,
that the $10,000 prize money would be put towards tickets to Europe to tour
their album, which has now seen wider release on the UK’s Witchhunter Records.
It’s
fingers crossed from me, because should these guys manage to get to something
like HellFest to play, they’re sure to come away with a wider European audience.
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